I love to watch an artist work. I am in awe of the process. I love to get inside the mind of people who create. I have had opportunity, at times, to have personal intercourse with creators of various genres. This is a marvelous experience. A second alternative is to read the thoughts of theses creators in their own words. Books like these have taken me inside the minds of Madeleine L'Engle, Wassily Kandinsky, and C.S. Lewis, to name just a few. And now, The Wave in the Mind is taking me inside the mind of Ursula K. LeGuin.
I first encountered LeGuin in her enthralling novel, The Wizard of Earthsea. This fantastical tale introduces us to an unlikely hero, Sparrowhawk, whose destiny exceeds his wildest imaginings, and who must learn the power of naming. It was the naming, the power of words, that gave me to know I had found a true friend in Ursula LeGuin.
The Wave in the Mind is a collection of essays written by LeGuin on a refreshingly wide range of topics, from Tolkien and Twain, to gender and beauty, to language: its rhythm, its power, its beauty. The first essay opens with these intriguing lines: "I am a man. Now you may think I've made some kind of silly mistake about gender, or maybe that I'm trying to fool you, because my first name ends in a, and I own three bras, and I've been pregnant five times, and other things like that that you might have noticed, little details..." And the adventure begins. And I can't turn the pages fast enough. And I am carving moments out of busy days to sneak away and read what comes next.
Although I am just over half-way through, I thought I would pause and share a few of the thoughts, the words, that have most arrested my attention. For your consideration:
On the idea that fantasy can give us the opportunity to wrestle with dilemna that are not yet present, or are just emerging in our world:
So it may be that the central ethical dilemna of our age, the use or nonuse of annihilating power, was posed most cogently in fictional terms by the purest of fantasists. Tolkien began The Lord of the Rings in 1937 and finished it about ten years later. During those years, Frodo withheld his hand from the RIng of Power, but the nations did not.
LeGuin speaks to the importance of retaining the oral tradition in language, of getting the words off the page and into the mouth. I love her account of Dylan Thomas' reading at Columbia in 1952 for a Caedmon recording:
I was there at that reading, and you can hear me--in the passionate silence of the audience listening to that passionate voice. Not a conspiracy of silence, but a participatory silence, a community collaboration of letting him let the words loose aloud. I left that reading two feet above the ground, and it changed my understanding of the art forever.
In the essay, Dogs, Cats and Dancers: Thoughts on Beauty, the author shares this rich, profound reflection on image:
My mother died at eighty-three, of cancer, in pain, her spleen enlarged so that her whole body was misshapen. Is that the person I see when I think of her? Sometimes. I wish it were not. It is a true image, yet it blurs, it clouds, a truer image. It is one memory among fifty years of memories of my mother. It is the last time. Beneath it, behind it, is a deeper, complex, ever-changing image, made from imagination, hearsay, photographs, memories. I see a little red-haired child in the mountains of Colorado, a sad-faced, delicate college girl, a kind, smiling young mother, a brilliantly intellectual woman, a peerless flirt, a serious artist, a splendid cook--I see her rocking, weeding, writing, laughing--I see the turquoise bracelets on her delicate, freckled arm--I see, for a moment, all that at once, I glmpse what no mirror can reflect, the spirit flashing out across the years, beautiful.
And finally (for now) a lovely description of the complex beauty of the novel. You will see here, as well as anywhere, why lovers of words find a friend in Ms. LeGuin.
I do think novels are beautiful. To me a novel can be as beautiful as any symphony, as beautiful as the sea. As complete, true, real, large, complicated, deep, troubling, soul enlarging as the sea with its waves that break and tumble, its tides that rise and ebb.
*Painting: Between Two Waves by Makoto Fujimura