I am on a quest to see all five Best Picture nominees before the Oscars. Today I saw The Reader.
This is an intense film that explores complex questions about morality and law and context. In the midst of her trial as a Nazi war criminal, Hannah is asked about the role she was required to play in "selection". Every couple of weeks, each guard was required to choose ten people to be transported to Auschwitz for extermination. In response to the relentless grilling, she finally asks, "What would you have done?" What indeed? What would I have done? Later, a law student is discussing with his professor the horrors of the holocaust and the shame he feels as a German citizen. He asks him, "How could you let this happen? Why didn't you kill yourself when you found out?" How very easy it is to be indignant from a distance. How very different it might have looked had you been there...
Moments of extravagant beauty punctuate moments of excruciating pain. Hannah has a profound capacity for lovliness. One senses that her life has been precious short of it. The words of Homer or the singing of children can completely devastate her. As a young man who has grown up in a stifling, repressive atmosphere, Michael receives this like air...like life.
The film explores the idea that there are encounters in our lives that shape us forever, and that a single memory can be a source of both delight and torment. Hannah remained a part of who Michael was for the rest of his life, for good and for ill, just as he was a part of her.
There are several storytelling/filmaking devices I find particularly arresting. I love that the first words he reads to her are the opening lines of the Odyssey, beginning, "Sing to me, O Muse..." What could be more appropriate for the woman who has such a need to be read to? There is a moment in the latter portion of the film which features a parallel dressing sequence. It is an intriguing portrayal of the oneness of the two main characters. . In one of the most poignant moments of the film, Berg visits a former concentration camp. He does not speak. The camera moves very slowly and deliberately allowing us to visit with him. No one tells us what to think. We must experience it for ourselves...as must he. The cinematography in the closing scene, just before fade, is exquisite. The colors and the composition are gorgeous
Finally, the film explores the power of language. Those who are deprived of the ability to communicate are without an essential part of themselves, an absence that is keenly felt. They live on the outside of what seems an insurmountable barrier. And words...words are life. They are story. They are dream. They are beauty. They are adventure. They are love.
