"I wish you had known my mother. I remember, as clearly as if it were yesterday, toiling up the hill at the end of the school day, towards the group of mothers who stood at the crest of the rise, waiting to collect their children from the county primary school where my little sisters went.
"The mothers chatted together, plump and comfortable, wearing modest, flowery dresses, pretty low-heeled sandals, their hair curled and tinted, and just that little bit of make-up to face the world in. Some had pushchairs with wriggling toddlers. Together, they smiled and nodded and gossiped and giggled, young and friendly and kind... But there at the top of the hill, at a little distance from all the rest, stood my mother, as tall and straight and composed as a prophet, her great blue skirt flapping in the breeze, her thick brown hair tumbling down her back. By her side stood my littlest sister, her hand nestling confidingly in my mother's hand, her world still sheltered in the folds of that blue skirt from the raw and bewildering society of the playground.
"My mother. She was not a pretty woman, and never thought to try and make herself so. She had an uncompromising chin, firm lips, a nose like a hawk's beak and unnerving grey eyes. Eyes that went straight past the outside of you and into the middle, which meant that you could relax about the torn jersey, the undone shoe laces, the tangled hair and the unwashed hands at the dinner table, but you had to feel very uncomfortable indeed about the stolen sweets, the broken promise, and the unkind way you ran away from a little sister striving to follow you on her short legs. My mother. Often, after tea, she would stand, having cleared away the tea things, at the sink, just looking out of the windows at the seagulls riding the air-currents on the evening sky; her hands still, her work forgotten, a faraway expression in her eyes."
These are the opening lines of Penelope Wilcox's The Hawk and the Dove. I find her characterization of this woman so intriguing. It makes me anxious to read on. I usually give a book at least a chapter to sell itself to me, but sometimes you just know...on the first page...that you have found a friend.
The same thing happened to me with Elizabeth Kostova's The Historian. She takes readers on a journey across Europe and Northern Africa. Her settings are remarkably evocative. I feel I am completely immersed in the sights, smells, and sounds of Constantinople, Oxford, or even a train platform in rural France. Of course, the early encounter with a vampire ups the suspense quotient by a good bit. I would read it late into the night, until my eyes would not stay open any longer.
Ayn Rand works her magic by drawing characters that are complex and nuanced. She reveals them a bit at a time...almost as you might encounter them if you were becoming acquainted with them yourself. She involves these characters in stories full of challenging choices and thought provoking questions. Makes for stimulating discussion.
John O'Donohue manipulates words as though they were paint, or musical notes. His writing is lyrical and poetic, even when he writes in prose. Every concept or thought seems somehow more profound because it is delivered so artfully.
In the writings of C. S. Lewis I find a voice for thoughts, ideas, and imaginings that have lived in my heart or mind, but have not found a voice. So often I find myself reading him and thinking (or saying) to myself, "Yes. That's just how it is...just how I have always thought of it." But, in the same writings I will find new, challenging ideas that cause me to reflect deeply and perhaps see something in a whole new light.
The writings of Donald Miller and Anne Lamott are raw and refreshingly honest. They write the things we are sometimes afraid to speak. There is something so real and so right about the vulnerability and transparency in their books.
Word-smiths all...and just a sampling at that. I have a profound respect and admiration for those who use words well. Communication is such an essential need for all of us. To be heard, and to be able to hear others is immensely satisfying.
C. S Lewis gives this line to one of his characters in Til We Have Faces, "Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that's the whole art and joy of words."
In the book Lewis Agonistes, Louis Markos talks about how Paul would wax poetic when writing about the most essential issues of the soul. Some concepts were simply too profound for prose. Erasmus and his fellow scholars of the late Middle Ages would search out these places in Scripture. They referred to them as O Altitudo passages. O Altitudo means "Oh the depths".
The books I have listed under O Altitudo have met me in a deep place. Some of them are challenging, some are inspiring, and some are immensely beautiful. All of them have used words to communicate to an important and significant place inside me. I commend them to you.
"A word aptly spoken is like apples of gold in settings of silver" Proverbs 25:11